THE TEDDY BEARS' PICNIC
-- Mike Morgan

The dogs on main street howl
Cause they understand...
And I believe in the promised land
-- Bruce Springsteen

Listen to the Lion
-- Van Morrison

INTRODUCTION: The town of Sequim (pronounced "skwim") is located
on the Olympic Peninsula, Washington, in the far northwestern
corner of the continental United States of America. Sequim is
the headquarters of the Olympic Game Farm, an animal reserve.
But this is no garden-variety animal reserve: the Olympic Game
Farm is a retirement home for ex-carnival, circus and movie-star
creatures. Visitors driving through the reserve will be amazed
by the sight of prancing bears, trick ponies and performing
chimpanzees breaking into their song and dance routines, brought
on by the presence of human gawkers. The animals can't help it.
They've been in show business all of their lives.

Sequim lies in the rain shadow of the Olympic mountain range,
meaning it receives less rainfall than the rest of the region.
This gives the landscape a peculiar painted desert, Arizona-esque
look, making it a nature film director's dream. Formerly the
home of the Quillyute, Klawak and Macaw Indian nations, the
Olympic Game Farm property is owned by Lloyd Beebe, a personal
friend of that ex-champion of family values and assorted pablum,
Walt Disney. Through his relationship with the great crapola
artist, Lloyd Beebe allowed his property to be used by Disney
Studios for the production of a myriad of animal movies. Such
silver screen masterpieces as "Seems There Was This Moose,"
"Wahb, King Of The Grizzlies," "Dorsey, The Mail Carrying Dog,"
and "The Goose That Walked Backwards For Christmas," to name a
few, were all filmed on location at Sequim.

The reserve is therefore home to a wide variety of international
wildlife. An array of beasts from the drooling, stinking Musk Ox
(Cervus Elaphus), the Llama (Lama Guanico Glam), the European
Fallow Deer (Dama Dama Dama), the Camel (Rama Lama Ding Dong) to
the White Rhinoceros (Blanco Biggus Dickus) can be found there.

Lloyd Beebe runs a tight ship. Tourists are constantly being
harassed and bellowed at through a formidable public address
system for violating such Olympic Game Farm mandates as
attempting to feed the animals or leaving their cars. Flyers are
plastered all over the woods, warning guests that American Bisons
weigh over 2,500 pounds each, have a top speed of 30 mph, and can
sit on and flatten sports utility vehicles. The hybrid buffalo,
the beefalo (the father a bison, the mother an Angus-type cow) is
particularly partial to chasing two-legged Minolta flashers clad
in Hawaiian shirts.

But despite its obvious human drawbacks, the knowledge that such
a place exists for formerly abused victims of mankind's
ignorance, curiosity and cruelty is comforting. In fact, it's
downright surreal. It provides plenty of fodder for the
imagination. And for the animals, it's Valhalla.

* * *

They'd celebrated May Day in the same fashion ever since their
relocation. The beavers were in charge of collecting and
stockpiling the beer and assorted booze. Francisco Pizarro's
parrot was responsible for organizing the entertainment and
keynote speakers, known as yakkers. The yaks themselves were the
food czars. Last year, they had all feasted on a former Czar.
This year, the dromedaries of the Fertile Crescent, together with
the Andean llamas, had toiled for nights over boiling pots and
spits. They had concocted a unique, cross-continental
speciality, haute cuisine to say the least, a lip-smacking
delicacy named "Paella a la Pahlevi." The animals waited until
the last Volvo station wagon trundled out of the park at sunset,
then they assembled around a huge bonfire on the riverbank.

Animal small talk filled the air, as did the familiar odor of
Durban Poison. Glasses clinked, and the plonk flowed freely.
The hippo, a notoriously sloppy drinker, almost put the kibosh on
the evening's festivities by belly-flopping into the river and
drowning out the whole affair. After they'd eaten the Shah avec
trimmings, they formed a large circle around the fire. Stoned,
tipsy and full of middle-eastern royal family, they eagerly
awaited the big dance. Pizarro's parrot took center stage.

"You all know me," he said, ignoring the pandas (Bambu Bamboo)
who loved to imitate him.

"Who are you?" taunted Ling-Ling, herself a former gift from Chou
En-Lai to Eisenhower, part of the cultural revolution's export
program.

Everybody was familiar with Pizarro's parrot's "armored swath
through Peru with the Conquistadors" story. As emcee, the old
bird had the privilege of repeating it, if he so desired. But
years of bearing witness to unmentionable forms of genocide as
well as unmerciful panda razzing had hardened his feathers. This
time, Pizarro's parrot took pity on his audience.

"Our first guest starred in that monumental sand dune epic, David
Lean's 'Lawrence of Arabia.' Ladies and gentlemen, I give you
Lexington, Omar Sharif's camel."

Lex, being a bit on the retiring side, broke the ice with that
tried and tested winning opener, the camel joke. "Omar always
used to boast to the others, Peter O'Toole, Anthony Quinn, Jack
Hawkins and Alec Guinness about my stamina and ability to endure
endless treks through the Nefoud desert without replenishing
water. He referred to me as a double-brick camel. A naive
Arthur Kennedy once asked Omar to explain the derivation of that
term. 'It's quite simple,' the Sharif explained. 'When my camel
is drinking at the oasis, I sneak up behind him and clobber his
gonads with two bricks. The shock of such a traumatic blow
forces him to suck up gallons of extra liquid.' 'Jeez,' queried
an incredulous Arthur Kennedy, 'doesn't it hurt?' 'Only if you
get your thumbs caught,' replied Omar."

The animals roared with approval, which then gave Lex enough
chutzpah to get into the guts of his presentation. He produced
various memorabilia: T.E. Lawrence's original swagger stick,
General Allenby's Webley pistol and monocle, Auda Abu Tai's
detonator for blowing up troop trains, Jose Ferrer's fez, and the
camel turd that Anthony Quayle mistakenly stepped in, ruining his
puttees. Lex related how his uncle, Indianapolis, had been
accidently shot in the back of the head and killed by the great
Lawrence himself when the Bedouin sneaked in through the backdoor
of Aqaba and kicked some Turkish ass. Lex's other uncle,
Arizona, taught Omar Sharif how to play bridge, and Omar and 'Zo
would spend many an evening humping and trumping 'neath the
Mesopotamian moon.

Lexington concluded his act by sharing a little-known fact with
the audience. "Most of us believe that the famous battleships of
the United States Navy were named after cities and states in this
country. Bollocks! These bulwarks of the high seas were named
after the ships of the desert, camels. My father, 'Yorktown',
can attest to that."

At that point, Zagloba, the Ukrainian dancing bear (Ursus Mambo)
had a panic attack. The flames and embers of the bonfire
reminded him too much of those dreadful days of apprenticeship
under Bohun, the Cossack circus mogul. There was no Arthur
Murray School of Dancing for Zagloba and his peers -- theirs was
a baptism of fire. The bearcubs were forced to stand on hot
coals, thus learning the rudiments of gyration and dance through
pain. What a pain in the paw it was! As a youngster, the mere
threat of fire would cause Zagloba to polka. Pogo he did,
blistered pads and all, for the likes of Papa Bear Josef Stalin
at a command performance of the Great Russian Circus. Now, any
exposure to flame flooded him with fear. Johnny Cougar (Felinus
Rockus Mediocritus) comforted Zagloba and fixed him up with a
stiff martini, a shot of Zanax and a water-back. The other
animals were extremely sympathetic to Zagloba's predicament. His
past had followed him all the way to Eden.

Pizarro's parrot took over once again. This time, Francis The
Talking Mule (Equus Asinus Vociferous) provided the interference
by way of repeating the phrase "Scooby Dooby Doo." Poor old
Francis couldn't help himself. As a celebrity talking ass during
the '80s, he had served as one of Ronald Reagan's advisers.
Francis, himself not the sharpest knife in an already dull
cabinet, had the punishing habit of reiterating the stock
response of Reagan's Information Secretary, Frank Sinatra. Put a
few belts in him and Francis would "Scooby Dooby Doo" until the
cows came home.

Pizarro's parrot waited until Francis the Talking Mule ran out of
gas. "Our next speaker is no stranger to cinema-goers. He gored
John Wayne and the Indian in Howard Hawk's African safari
adventure, 'Hatari.' He co-wrote 'The Baby Elephant Walk' with
Henry Mancini, the hit tune from the same film. He rammed Hardy
Kruger and Red Buttons when they attempted to capture him at
Ngora Ngora on behalf of the Zurich zoo. Please welcome Reuben,
the white rhino."

Reuben wasn't an albino; in fact he wasn't really white at all.
But he was a rhinoceros and he had a penchant for wallowing in
mud, which would dry on his skin, giving him a whitish
appearance. The Swahili word for Rueben and his ilk was simply
"Honky."

"I could go on all night about John Wayne's episode with the
scotch bottle, the strip poker game and the Italian starlet,
Cappucino, on the Serengeti plains, but it's old hat," began
Rueben. "Suffice it to say that John Wayne was an even sorrier
poker player and lover than he was a lush. That was during the
period of the Duke's career when they had to use a tripod to
hoist him onto his mount. Often, this would knock his hair-piece
akilter, and the make-up people would have to do him right while
he was a fully-loaded Rooster Cogburn in the saddle.

"But it was on Ginger Baker's rescue mission that I had this out-
of-world experience and met the ghost of the explorer, H.M.
Stanley (of 'Dr. Livingstone, I presume' fame). I was thoroughly
bored with hanging out with Hank Mancini. I'd had 'Moon River'
and 'The Theme From The Pink Panther' up the wazoo. I'd taken to
listening to Dewey Phillips and WHBQ out of Memphis on the
shortwave radio. That's when I found out that Cream had split
up, and Ginger Baker, himself a can or two short of a six-pack,
had gotten lost slap-bang in the middle of Equatorial Africa in
search of anyone who could teach him how to play the drums. This
was my chance to escape the Mancini mulch and the John Wayne
leglessness. I'd find Ginger Baker, even if I wasn't doing the
world a favor.

"My search took me to the very heart of darkness, the inner
station. It was in the Congo River basin, a few miles from the
same waterfall that the great white hope had so modestly named
after himself, Stanley Falls, that I collided with the caravan.
Pompous, European, Sousa-type martial music blared through the
jungle, compliments of the Belgium King's African Rifle Brass and
Jazz Band. I never had much time for Belgians. Their three
major accomplishments were the introduction of rubber plantation
slavery into the Congo, ivory smuggling, and the invention of the
French fry (le pomme frite). But I wasn't ready for this.

"The cadaverous King Leopold II and the beetroot-faced Stanley
were atop an enormous elephant, festooned with gold and other
assorted jewelry. A huge silk banner announced, 'With Peace And
Goodwill -- From The Maxim Machinegun Abolitionist Society.'
Hundreds of handless African porters, shackled together in
chains, toted heavy loads of rubber, ivory and a variety of
stolen loot on their heads. Leopold was in full military
regalia. Suffering from dysentery, his soiled pantaloons reeked
to high heaven as he blessed the indentured ones around him.
'Your reward will come in heaven,' he feebly croaked, handing out
brass trinkets as compensation. Wads of Francs, Pounds, Marks
and Dollars billowed out of every pocket of his tunic. Stanley,
heaving and sweating from the laborious task of administering
floggings, spoke above the crack of the chicotte (the bull whip),
used to instruct and correct ungrateful workers. He fulminated
loudly against barbarism, sloth, godlessness, labor unions, Irish
nationalism, immorality, the eight-hour work day, Chinese
migrants, Arabs, Jews, socialism, women suffragettes, French bus
drivers, and Algerian restaurant waiters. It was Dante's inferno
all over again. To this day, I cannot erase that memory. I was,
after all, in the Congo.

"I staggered away from that macabre pantomime. My quest for
Ginger Baker seemed meaningless compared to the nightmare I had
witnessed. It took months for me to recover, and I wandered
aimlessly along the shores of the River Niger, seeking solace
from the mystical music of the griots of Mali. I finally did
discover Ginger Baker though," Reuben concluded. "He had been
taken in by Ibo villagers. He was banging loudly on an oil drum
with a banana. Left to his own devices, he seemed quite content
and obviously harmless. The Ibos called him 'Buffoono,' which in
their language translates as 'the hirsute red-bearded imbecile
who makes too much noise on the tom-toms.'"

The animals sobered up quickly after Reuben's presentation. The
elephants quietly wept. The dolphins (Sheepus Wolfus), always
pranksters and the life of the party, sought to cure this
temporary funk. They dove into the river and did their "Ma loves
pa/George C. Scott" schtick and it worked. Dolphins are masters
of disguise. For decades, they'd been able to hoodwink humans
into believing that they're friendlier and brainier than most
creatures. The humans (especially the marine biologists), in
their usual snobbish fashion, bought this baloney hook, line and
sinker. Hollywood, thanks to Steven Spielberg, only made matters
worse by vilifying the always gentle Great White sharks (Nambus
Pambus). Compared to Great Whites, dolphins were a marauding
band of thuggy maneaters. Talk about the homo sapiens lot
getting the bull by the udders.

Pizarro's parrot, a little concerned that Reuben had put a damper
on the soiree, felt obliged to play out his role as Master of
Ceremonies. "What's the difference between Mick Jagger and a
Scottish shepherd?" he asked. "What?" yelled the crowd in
unison. "Mick Jagger sings 'Hey, You Get Off Of My Cloud,' while
the Scotsman sings 'Hey McCloud, Get Off Of My Ewe.'"

The emu (Mu-Mu Spasticus Articulus) also helped to cheer up the
mood. She cracked open a case of absinthe and, ignoring the "I
just flew in from Australia and, boy, are my arms tired" jibe
coming from those hypocritical, flightless Boer ostriches
(Struthio Camelus) no less, she filled everyone's glasses.
Pizarro's parrot brought forward the final orator. "Let's put
our hands together and welcome Harold, the only surviving horse
of the battle of Little Big Horn."

Harold was a veteran of the animal speaking circuit. The fact
that he was one hundred and thirty-five years old commanded
respect too. His nickname was "Junior." As Harold always did
before he spoke, he demanded a minute's silence to remember the
wholesale slaughter of his species by the habits of man, this
time at the battle of Verdun. "In one day in March, 1916, seven
thousand horses were killed by long-range French and German
shelling, ninety-seven from a single shell fired by a French
naval gun," he reminded them all, while the animals hung their
heads out of reverence for the dead.

"It wasn't only the wile and military cunning of Crazy Horse and
Sitting Bull that undid George Armstrong Custer's Seventh Cavalry
on the Greasy Grass at the Little Big Horn," Harry said,
launching into his tale. "And it wasn't purely due to the
arrogance and stupidity of Custer himself, although that sure
helped the Indian cause. We forget, with the introduction of
horses into North America, along with the invention of the
repeating rifle, that nobody could hold a candle to Cheyenne and
Sioux plains warriors. They were, without a doubt, the finest
horse soldiers in the world. Technology, numbers, disease and
greed made the Indians lose, but in a fair fight one on one with
those Seventh Cavalry clowns... why, the President today might be
a descendant of the original human inhabitants of this land.

"But despite all of this, I know why Custer got his just rewards
that day, and it had everything to do with that bozo bugler that
I got landed with. I was assigned, as a young, healthy pony, to
Custer's command squad -- a crowd consisting of lowlier officers
who despised him, messengers, sell-out scouts, and my guy, the
horn-blower. The Seventh Cavalry, mythology aside, was the
equivalent of the French Foreign Legion in the new world.
Misfits, wanted men, and failures in other pursuits found a home
in the Seventh.

"My ride was one such desperado. His name was Guiseppe de
Bonano, a gelato ice-cream vendor from Naples. Guiseppe closed
up his Neapolitan shop early one afternoon and arrived home to
find his wife banging the local postman. In a fit of rage, he
shot il postino and his wife, and then stowed away in the hold of
a prune ship bound for Boston. Upon arrival, he immediately
signed up for the cavalry and was assigned to Fort Lincoln on the
Rosebud River, then under the command of one General George
Armstrong Custer. Custer, impressed by Guiseppe's handlebar
moustache and trumpet noodling, ordained him as the company
bugler. What Custer didn't know was that Guiseppe knew only
seven words of English, namely "Shaddupa you face," and "Vanilla,
chocolate or strawberry?"

Thus at the critical point of battle, when Custer could have
retreated or counter-attacked, his orders never seemed to be
translated correctly. He'd scream 'Charge!' and Guiseppe would
sound the dismount. When he had found suitable ground to make a
stand, Custer would order the dismount, only to be frustrated by
having Guiseppe gallop the whole troop off into the horizon.
Guiseppe finally gave up and, ignoring Custer's cursing, began
playing the Fats Waller tune 'All That Meat And No Potatoes,' and
other lesser-known Tijuana Brass B-sides, while his fellow blue
jackets were cut down around him. Fortunately for me, Guiseppe
lived up to the reputation of the great Italian war hero, and we
scampered out of there before the final axe came down. I owe my
life to that bumbling bugler," Harry concluded.

Amidst universal applause, Harry stepped down. The gala was
done. Pizarro's parrot thanked all who helped make it happen.
Those two feisty Maoist penguins (Quackus Quackus) from the
Falkland Islands began handing out leaflets to the besotted
audience. They had adopted their politics during the
Argentina/England war down there in 1982, arguing that the
Falklands belonged to neither empire but that of the Emperor
penguins. With red stars on their balaclavas, they hid out on
the luxury liner the QEII, then in service as a British
troopship, and took their brand of subversiveness to the Northern
hemisphere. In England, they caused pandemonium by dressing up
in leather jackets, joining the Vanessa Redgrave sect of hipster
lefties, denouncing the Gang of Four, and demanding that Boxing
Day (the day after Christmas) be changed to "The Day of the
Dragon." Professional agitators, they used every opportunity to
stir up the pot, even here. The other animals did what everybody
else had always done to the pair of penguins -- they ignored
them.

Pizarro's parrot cautioned the happy campers to drive carefully.
He made a special point of warning the others to watch out for
the Kodiak bear (Ursus Arctos Middendorffi), and make sure that
he stayed away from the Caterpillar Bulldozer that the Boobies
(animal slang for the Beebes) had acquired to excavate more land.
"Remember what happened last time," he said, evoking giggles from
the ready-for-bed crowd as they recalled the Kodiak careening
drunkenly down Rural Route Seventy-One, behind the wheel of a
steamroller.

More land was good though, especially for Valhalla.

* * *

AFTERWORD: During the early 1970's, a boating marina was built a
few miles outside of Sequim. The owner was none other than John
Wayne.

By 1972, the Beebes opened the Olympic Game Farm to the public.
In the beginning there were only guided tours, and the cost of
admission was one dollar. The Studio Barn, the site of many Walt
Disney film shoots, is cut from one of the oldest trees on the
Olympic Peninsula. The tree dates back to well before the time
of Christopher Columbus.

Leave the Animal Farm and go back to COWBOYS & INDIANS!